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Diego Velazquez
Philip IV as a Hunter
1634-36 Museo del Prado, Madrid
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Diego Velazquez
Juan de Pareja
1650
Metropolitan Museum of Art, New York
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Diego Velazquez
The Medici Gardens in Rome
1650
Museo del Prado, Madrid
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Diego Velazquez
Prince Balthasar Carlos as a Hunter
1635-36
Museo del Prado, Madrid
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Diego Velazquez
Portrait of Philip IV of Spain in Brown and Silver (mk08)
1631-1632
Oil on canvas
199.5x113cm
London,National Gallery
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Diego Velazquez
Christ in t he House of Martha and Mary (mk08)
1618
Oil on canvas
60x103.5cm
London,National Gallery
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Diego Velazquez
Los Borrachos (mk08)
1628/29
Oil on canvas
165.5x227.5cm
Madrid,Museo del Prado
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Diego Velazquez
The Surrender of Breda (mk08)
1634/35
Oil on canvas,
307.5x370.5cm
Madrid,Museo del Prado
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Diego Velazquez
Prince Baltasar Carlos Equestrian (mk08)
c.1634/35
Oil on canvas.
209.5x174cm
Madrid,Museo del Prado
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Diego Velazquez
A Dwarf Sitting on the Floor (mk08)
c.1645
Oil on canvas,
106.5x81.5cm
Madrid,Museo del Prado
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Diego Velazquez
Venus at her Mirror (mk08)
c.1644-1648
Oil on canvas,
122.5x177cm
London,National Gallery
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Diego Velazquez
Las Meninas (mk08)
1656/57
Oil on canvas.
318x276cm
Madrid,Museo del Prado
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Diego Velazquez
Self-Portrait (df01)
c 1640 cat no 96
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Diego Velazquez
Velazques and the Royal Family of Las Meninas (detail) (df01)
1656-1657
cat.no 124
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Diego Velazquez
The Surrender of Breda (Las Lanzas) (detail) (df01)
1634-1635
Cat no 73
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Diego Velazquez
Count-Duke of Olivares on Horseback (df01)
1634
Cat no 66
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Diego Velazquez
Philip III on Horseback (df01)
1634-1635
Cat no 68
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Diego Velazquez
Infanta Margarita (df01)
1653
Cat no 122
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Diego Velazquez
Prince Felipe Prospero (df01)
1659
Cat no 129
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Diego Velazquez
The Temptation of St Thomas Aquinas (df01)
1631-1632
cat no 130
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| Diego Velazquez
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Spanish Baroque Era Painter, 1599-1660
Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
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